![]() ![]() The sound isolation can also come in handy. ![]() Helpfully, it adjusts chords and tabs along with the changes to the pitch of the audio. More than that and you can get some audio artefacts particularly when pitching down. I’ve found that within 7 or 8 semitones you get a very clear sound. I also regularly use it to change the pitch of a song to a more uke-friendly key. Producing a sound that’s cleaner than anything else I’ve tried at low speed. You can slow it down as far as quarter speed. Sound Manipulation: I most often use Capo to slow down a piece of music. You can select by where the sound is panned in the speakers or by the frequency of the sound. In the left-hand column there are sliders that adjust the tempo of the song (between 0.25 and 1.5 speed) and the pitch (plus and minus an octave).Ĭapo will also isolate sounds in the recording. Each note you select on the spectrogram gets transferred onto the tab below.Ĭapo also allows you to manipulate the sound of the song. ![]() You generate the tabs by drawing over the notes on the spectrogram (you can see that in the image below). And at the bottom is where the tabs appear. Below that are the chords Capo thinks are played at that point in the song. This shows the pitches of all the notes Capo picks up in the track. Then in the middle you have the spectrogram. When you open a file (WAV, AIFF, MP3, MP4 or M4A) Capo 3 will present you with something like this (I’m using James Hill’s legendary Uke Talk for these examples):Īt the top you’ve got the track itself. What It DoesĬapo helps you to transcribe tabs and chords of a song from an audio file. If you want to try out the Mac version, you can find a free trial here. This review is for the macOS version of the app. So I’ve finally gathered my thoughts on it and am ready to review it. ![]() I’ve used Capo since version 2 and have been using Capo 3 for four years now. One tool I reach for is Capo 3 from SuperMegaUltraGroovy. You’d think after all these years I’d have got good at it.
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